Tim Wolf is a musician and photographer who describes his work as liquid terrains.
Musically, he performs on several traditional non-Western acoustic instruments (often with digital processing)—including the dousn’ gouni (Bambara hunter’s harp), several types of African thumb pianos, khaen (Thai mouth organ), Brazilian berimbau—as well as keyboard. Tim engineers and produces his own work.
Currently, he is exploring live, improvised solo pieces that exploit digital looping and processing to create multi-layered soundscapes and/or grooves. He is also collaborating again with Hip Hop artists to create new work in the studio.
Visually, Tim is interested in exploring fluid and static elements in their relation to time and texture, motion and stillness.
Tim studied saxophone with Marion Brown, Hindustani music with Amiya Dasgupta, performance with Laurie Anderson, and has pursued various disciplines of improvisation as both a musician and dancer. While a student at the California Institute of the Arts (CalArts) he collaborated with a wide range of then-emerging artists, choreographers, filmakers, musicians and composers, notably Arthur Jarvinen.
Tim was a featured composer/performer in the 1983 Connecticut Composers Festival. He was a member of several music groups including The Hibachi Brothers Barbecue Big Band, People of Goodwill, Camara, and Terrain. He has recorded and performed with Don Cherry, Adam Rudolph, Tony Vacca and many others in the creative music arena.
Tim has worked professionally as a recording and live sound engineer and has produced, stage managed, and provided technical direction for hundreds of performing arts events. In the 1980s he was instrumental in providing a platform for Connecticut’s growing Hip Hop scene. He has also worked professionally as an arts administrator, event producer and graphic designer.